Pourquoi les grands voyages ne font pas (forcément) de grandes photos
Un grand voyage promet de grandes images. Pourtant, ce n'est pas la distance qui fait la photo, mais le regard qu'on y apporte.
My nature travel landscape photo blog
Welcome to my Nature and Travel photography blog, where you'll find my latest articles to help you get away from it all ...
Photographing Scotland in November: preparing for a photo trip outside the season
Leaving for Scotland when everyone else is going home: I take you along in the preparation of my photo journey in Scotland, from Skye to Glencoe, with its eight-hour days and its autumn colors.
Composing in chaos:
a photo session at the rocks of Saint-Guénolé
A photo shoot at the rocks of Saint-Guénolé, amidst rising tides, mineral compositions and waiting for the right wave — the story behind the Fine Art images.
Should a photo tell a story?
Does a photo have to tell a story to be successful? Between forced narrative and an image that merely exists, explore what really gives meaning to a photograph.
Looking is not seeing: what photography teaches us
Seeing and looking, are they really the same thing? Discover how photography transforms our attention and teaches us to see better. Photography reveals an essential difference between casting our eyes over the world and becoming attentive to what it shows us.
Why do certain photographs remain etched in our memory?
Sometimes all it takes is a photograph: An old boat tied to a jetty, a path disappearing among the ferns, a tiny silhouette facing the ocean. The orange light of a summer evening on the wall of a house. We look at the image and, suddenly,…
Learning not to trigger 😱
Before every photograph there is an invisible moment where everything is decided. Learning not to press the shutter is about developing a calmer, more attentive and more accurate eye, to create images that truly have something to tell.
Photographing silence: the art of letting an image breathe
Photographing silence is not just about seeking calm landscapes or minimalist compositions. It's about learning to organise attention, reduce unnecessary tension, and give the gaze enough space to linger in the image.
The mistake of wanting to photograph everything: learning to choose to see better
Wanting to photograph everything is one of the most common pitfalls in photography. By trying to capture too much, we sometimes end up losing the essential: intention, composition, and the power of the gaze. Learning to choose, slow down, and take fewer but better photographs allows for the creation of more personal, more readable, and more coherent images.
The physiology of the eye in photography: naturally guiding the gaze
Understanding the physiology of the eye allows for better composition, development and prioritisation of a photograph. Contrast, sharpness, colour, faces, density: discover why certain images immediately catch the eye.
